Tuesday, January 28, 2020

No one Suffers Like The Poor. By Ian Lewis Copestick


The older I get the more I see
That for no one is this life easy
The multi-millionaires  that I hate
Still have hemorroids and headaches

No matter what lifestyle, no matter what class
Everyone has to wipe their ass
We all get hungover from a night on the booze
We all have our time to sing the blues

Lovers leave and parents die
We all have times we have to cry
But I might feel better if I had a decent amount
Of money in my bank account

So, no the rich don't really suffer
They have their cash to act as a buffer
They say happiness is something you can't buy
But I don't know, I'd like to try




Ian Lewis Copestick is a 46 year old writer (I prefer that term to poet ) from Stoke on Trent, England. I spend most of my life sitting,  thinking then sometimes writing. I have been published in Anti Heroin Chic, the Dope Fiend Daily, Outlaw Poetry, Synchronized Chaos, the Rye Whiskey Review, Medusa's Kitchen and Horror Sleaze Trash.

Friday, January 24, 2020

He Comes and Goes, That Rodeo Rider. By John Doyle


Again, it's grits everywhere,
saucepan lid spins
until - its muffled crescendo -
good morning. 
I was told “expect this every morning, John”.
Outside, spooked horses, hind legs kicking,
Gene Clarke wannabe, thrown on his tired and withered ass -
no sign of him anywhere, dust a pointless witness -
dust is a language, sunlight - its parchment, maybe sometimes a song.
There's no sun today, weatherman told me, after a local kid
playing the zither, some commercials, then this -
plates like marooned half-moon effigies,
too many miles on the clock, 
too much liquor, harvest looks bad this year.
He'll return before supper, tire-tracks a treasure map
back to jukeboxes, bourbon, frightened women with tourist cameras
finding out not all cowboys tip their hats like Walter Brennan.
In the barn, he tunes a fiddle - nothing happened right? - he smiles,
guess he’s going back to his roots.
I leave grits and delph, tire-tracks, saddles in the rough.
It's a language he knows, though he has yet to read it -
not as many miles on his clock as he wishes everyone would think





John Doyle became a Mod again in the summer of 2017 to fight off his impending mid-life crisis; whether this has been a success remains to be seen. He has has two collections published to date, A Stirring at Dusk in 2017, and Songs for Boys Called Wendell Gomez in 2018, both on PSKI's Porch. 


He is based in Maynooth, County Kildare, Ireland. All he asks is that you leave your guns at the door and tie up your horses before your enter.

Thursday, January 9, 2020

Eurydice 57th Street-Seventh Avenue Nowhere Near Carnegie Hall. By John Greiner



Dead lost and not 
knowing the note 
to be got, they're
the ones that 
always have 
a song to sound, 
if not to sing
on the subway
platform
when the train
is somewhere 
so far beyond
that it's gone
behind the very
thought of time.
The desperation
call to all 
and sundry.
They've got
a movie scenario
of what's to happen 
in their heads,
the well worn play;
the star is born,
found and made icon.
We're a country quick
to take fairytales 
for facts
never having 
heard Philomel's
jug jug call.
I came down
the stairs with no
Orpheus
in my dreams.
I came down 
the stairs with only
the N train on my mind.
and now I've got
another failed 
bossa nova boy
looking to take
me for a ride.
Plug my ears
for the trip 
from Hades to 
all the anywheres;
Brooklyn to Manhattan
to Queens.
If you've got no voice to sing
then I've got no need to hear.
I'm not lost
I just don't know
how I'm going to go.
If you've got
a song, sing it,
don't put on a show.
I know
the notes
and I know
how to hit them.
Orpheus is gone
and the subway train
is so far along
that it's forever behind.
Orpheus is gone.
The air is dead.
I know why he turned around.
I know why I stayed behind.
Orpheus is gone.
I don't need
your off-key melody.







John Greiner is a Pushcart Prize nominated writer living in Queens, NY. He was educated at the New School for Social Research.  Greiner's work has appeared in Sand, Empty Mirror, Sensitive Skin, Unarmed, Street Valueand numerous other magazines. His chapbooks, broadsides and collections of poetry and short stories includeTurnstile Burlesque (Crisis Chronicles Press, 2017), The Laundrymen(Wandering Head Press, 2016), Bodega Roses (Good Cop/Bad Cop Press, 2014),Modulation Age (Wandering Head Press, 2012), Shooting Side Glances(ISMs Press, 2011) and Relics From a Hell’s Kitchen Pawn Shop (Ronin Press, 2010). 

Wednesday, January 1, 2020

Hurry Up, The Cars Are Waiting. By David Boski


I saw a woman yelling at her husband today

or maybe it was her boyfriend

either way, she was screaming at him



they were on the other side of the street

walking in the same direction I was



I was walking Melvin



this woman was big and fat 

and she had a bad dye job, red hair 

she was pushing a baby in a stroller

and the man looked like he was carrying 

foldable lawn chairs amongst other things

and as we reached the stop sign 

at Dunn and Springhurst  

he was lagging behind his giant lover

and she turned around and yelled: “hurry up, the cars are waiting!” 

so, he began jogging as he struggled to hold onto and not drop 

all the shit he was carrying



and I looked at her with a sense of disgust 

and at him with a sense of pity



poor bastard, I thought

as I kept on walking

my wine hangover still lingering







David Boski lives in Toronto. His poems have appeared in: The Rye Whiskey Review, The Dope Fiend Daily, Horror Sleaze Trash, Under The Bleachers, Down in the Dirt, Beatnik Cowboy, Winamop, Ramingo’s Porch, Cactifur, North Of Oxford and elsewhere. His chapbook “Fist Fighting and Fornication” is out now and available through Holy&intoxicated Publications.

Tuesday, December 31, 2019

INVADER. By Bryn Fortey


the battle-scarred invader
plants his flag
claims the land
for his triumphant clan

blood will soak
and stain the earth
women will weep
for men-folk lost

the conqueror will
never be loved
but the planet will adapt




    

Bryn Fortey is a veteran writer from Wales in the UK. Widely published
over the years, he has had two collections published by The Alchemy 
Press, both featuring a mix of short stories and poetry.

 He is grateful thatin old age he is still able to put pen to paper and finger to keyboard

Wednesday, December 25, 2019

An Invitation To Adventure. By Ian Lewis Copestick


Last night I found a credit/debit card
In the street outside the local
shop.
At one time, perhaps 20 years ago
This would've been an invitation
To adventure. Without thinking I would
Have been buying whiskey, cigarettes
And getting cash back. But now,
No. Before I even really thought
I knew I didn't want to get caught
And be taken to Court
For a charge of fraud
Just for a couple of days
Of drunkenness and
Other assorted fun.
I suppose I must be
Growing up, or maybe 
Just  losing my nerve.
I've got old man skin
On my hands too.








Ian Lewis Copestick is a 46 year old writer (I prefer that term to poet ) from Stoke on Trent, England. I spend most of my life sitting,  thinking then sometimes writing. I have been published in Anti Heroin Chic, the Dope Fiend Daily, Outlaw Poetry, Synchronized Chaos, the Rye Whiskey Review, Medusa's Kitchen and Horror Sleaze Trash.

Friday, December 13, 2019

This Anthropologist I Once Studied With. By John Doyle



He reminded me of Bill Murray, Garfield the Cat;
so it came as no real shock 
that little more than months later
Bill Murray would play Garfield the Cat,
thanks to this Anthropologist I once studied with -
deadpan, dour, 
upper-lip a tent that protected his lower-lip
from any retort that might just shoot him down -
like that tribe deep in lush-green jungle he once lectured on.
Stephen who later became a bit-part walk-on 
in shampoo commercials
still swears to God that he saw him smile that day -
we wondered 
if that Murray-scowl would ever be the same,
sitting around a campfire 
under starlight
playing awful 1996 alternative-rock songs 
on his guitar -
for polite
but bored senseless natives








John Doyle became a Mod again in the summer of 2017 to fight off his impending mid-life crisis; whether this has been a success remains to be seen. He has has two collections published to date, A Stirring at Dusk in 2017, and Songs for Boys Called Wendell Gomez in 2018, both on PSKI's Porch. 

He is based in Maynooth, County Kildare, Ireland. All he asks is that you leave your guns at the door and tie up your horses before your enter.